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Louis Vuitton Celebrates 130 Years of Its Iconic Monogram

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Photo credit: Louis Vuitton

In 1896, Georges Vuitton introduced a design that would come to define luxury travel: the Louis Vuitton Monogram. Created as both a tribute to his father, Louis Vuitton, and a practical measure against counterfeiting, the emblem combined the interlocking LV initials with floral motifs. More than a century later, this signature motif remains instantly recognizable, a symbol of craftsmanship, heritage, and innovation.

Photo credit: Louis Vuitton

As Louis Vuitton prepares to celebrate the Monogram’s 130th anniversary in 2026, the house is unveiling a year-long programme highlighting its most beloved silhouettes. From the Speedy and Keepall to the Noé, Alma, and Neverfull, these classics will anchor commemorative collections that reinterpret the Monogram through craft, materials, and archival references. Three capsule collections Monogram Origine, VVN, and Time Trunk will show the emblem in fresh ways while honouring its legacy.

Beyond the collections, the celebration will extend to global boutiques, curated exhibitions, and storytelling installations, tracing the Monogram’s evolution from travel trunk to cultural icon. Over the decades, designers have revisited the motif in inventive ways. In the early 2000s, Marc Jacobs incorporated graffiti, while Takashi Murakami introduced a multicolour reinterpretation that brought the Monogram into contemporary art. Recent collaborations under Pharrell Williams and Nicolas Ghesquière continue to push creative boundaries, demonstrating the design’s adaptability and enduring appeal.

Photo credit: Louis Vuitton

The Monogram has not only shaped Louis Vuitton’s identity but also influenced wider fashion culture. It has appeared in runway shows, street style, and pop culture, reinforcing the brand’s role as a pioneer in luxury design. The anniversary programme offers an opportunity for collectors, fashion enthusiasts, and the wider public to engage with the Monogram’s history and its ongoing relevance.

By honouring 130 years of the emblem, Louis Vuitton celebrates more than a design it celebrates a story of innovation, artistry, and timeless style. The Monogram continues to bridge generations, reminding the world that true luxury lies in heritage and vision.

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Fashion

Miranda Meets Her Muse: Meryl Streep and Anna Wintour Share a Vogue Cover

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Anna Wintour Condé Nast’s Chief Content Officer and Global Editorial Director of Vogue, appeared on the magazine’s cover, alongside Meryl Streep who played a magazine editor in “The Devil Wears Prada,” ahead of the sequel, The Devil Wears Prada 2, expected in May 1 2026.

The theme of the magazine’s latest issue is to bring together the editor and the actress known for playing her role on screen. The shoot was styled by Grace Coddington. Wintour wore a red Prada maxi dress, paired with Manolo Blahnik heels, S.J. Phillips necklaces, and Chanel sunglasses.

 

Photo: Vogue

While Meryl Streep appeared in a black Prada suit, finished with dark sunglasses. Both women wore sunglasses in the images. The cover was photographed by Annie Leibovitz.

Greta Gerwig spoke with Meryl Streep and Anna Wintour about the upcoming sequel, the future of fashion, and life in their seventies. Wintour said “It is such an honor to be played by Meryl who wouldn’t consider that an extraordinary gift?”

Photo: Vogue

Streep and Wintour are not interested in trading places in real life. Wintour dismissed the idea of acting, noting she has no skills for it and would struggle with tasks such as singing, dancing, or cooking. Streep, on the other hand, said she would not want to take on the responsibilities of running a large organization like Vogue, including managing its operations and editorial responsibilities.

Streep’s character, Miranda Priestly, the editor-in-chief of the fictional magazine Runway, was inspired by Wintour. The 2006 film was based on the 2003 novel by Lauren Weisberger.

Photo: Vogue

The feature arrives at a time when interest in “The Devil Wears Prada” has increased following news of the sequel. Streep’s role in the film remains one of the most referenced portrayals of a fashion editor in popular culture.

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Anya Taylor-Joy Revisits Princess Peach in Jacquemus and a Wide-Brim Hat

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Photo: Getty Images
Anya Taylor-Joy stepped into the Super Mario Galaxy press tour in Tokyo with a look referencing Princess Peach’s visual identity. The outfit was designed by Jacquemus and centered on a pink bandeau top paired with a matching high-waisted skirt.

Photo: Getty Images

She wore a wide-brim pink hat that extended the silhouette of the look. Its scale contrasted with the fitted construction of the dress. The piece was adapted from Jacquemus’ Fall/Winter 2926 collection. She wore rings from Tiffany & Co. Footwear came from Giuseppe Zanotti. The outfit was styled by Ryan Hastings.

Photo: Getty Images

Earlier in the week, she appeared in a rose and green floral mini apron dress by August Barron from the brand’s “Real Housewife” Spring 2026 collection. The dress features a floral print, halter-style apron straps, and a sheer skirt. Styled by Ryan Hastings, the look was paired with dusty pink pointed open-toe sandals and Tiffany & Co. rings. Her hair was worn half-up and half-down, with a brick-red lip.

Photo: Getty Images

Across the press tour, her styling has referenced elements associated with Princess Peach, with each appearance offering a variation.

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Daisy Edgar-Jones, Chase Infiniti at Schiaparelli V&A in London

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Photo: Getty Images

Schiaparelli hosted a gala dinner at the Victoria and Albert Museum in London to mark the opening of Schiaparelli: Fashion Becomes Art, the house’s first major exhibition in the United Kingdom. The exhibition includes more than 200 objects, covering couture, jewellery, and archival material, tracing the work of founder Elsa Schiaparelli and the house’s current direction led by Daniel Roseberry.

The guest list included figures from film, fashion, and culture. Daisy Edgar-Jones attended with Chase Infiniti, Elizabeth Debicki, and Gabbriette. Regina King, Naomi Ackie, and Farida Khelfa were also in attendance.

At the museum’s South Kensington site, the exhibition presents Schiaparelli’s work in a museum setting instead of a runway presentation. The display includes historical pieces alongside contemporary designs, showing the house’s creative evolution.

The London opening is part of Schiaparelli’s expansion outside Paris couture, presenting its work in museum spaces across past and current collections.

Scroll down to see some of the attendees.

 

Daisy Edgar-Jones: Getty images

 

Chase Infiniti: Getty Images

 

Elizabeth Debicki: Getty Images

 

Gabbriette: Getty Images

 

Farida Khelfa: Getty Images

 

Regina King: Getty Images

 

Angelina Kendall: Getty Images

 

Marisa Beresen: Getty Images

 

Naomi Ackie: Getty Images

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