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All the Artist Who Took Home Awards at 2026 Grammys

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5 months ago

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Photo credit: Getty images

The 68th Grammy Awards took place on Sunday, February 1, 2026, at the Crypto.com Arena in Los Angeles, where 86 awards were handed out to artists, producers, rising stars, and songwriters who delivered outstanding performances in the music industry over the past year. The event was hosted by Trevor Noah.

Bad Bunny: Getty images

Many celebrities had major wins last night. Bad Bunny, for one, made history with his 2025 album Debi Tirar Más Fotos, which became the first Latin LP to win Album of the Year. Other big wins of the night included Kendrick Lamar and SZA, won Record of the Year for their 2024 song “Luther”.

Billie Eilish: Getty images

Billie Eilish, a multi-Grammy winner, took home Song of the Year for “Hit Me Hard” and her album track “Wildflower.” Lady Gaga won Best Pop Vocal Album for her 2025 pop opus Mayhem.

Kendrick Lamar: Getty images

Kendrick Lamar led the night with five Grammys, followed by Bad Bunny with three. Other multiple winners included Lady Gaga, Cirkut, Kehlani, Leon Thomas, SZA, Jack Antonoff, Jelly Roll, and composer Ludwig Göransson, each with two awards.

Below is a list of celebrities who won the Grammy awards

Bad Bunny

Album of the Year: Debí Tirar Más Fotos

Best Música Urbana Album: Debí Tirar Más Fotos

Best Global Music Performance: “Eoo”

Kendrick Lamar

Record of the Year: Kendrick Lamar & SZA: “Luther”

Best Rap Album: GNX

Best Rap Song: “TV Off” [ft. Lefty Gunplay]

Best Melodic Rap Performance: Kendrick Lamar & SZA: “Luther”

Best Rap Performance: Clipse, Kendrick Lamar, Pusha T & Malice: “Chains & Whips”

Billie Eilish

Song of the Year: “Wildflower”

Lady Gaga

Best Pop Vocal Album: Mayhem

Best Dance Pop Recording: “Abracadabra”

Best Remixed Recording: Lady Gaga & Gesaffelstein: “Abracadabra (Gesaffelstein Remix)”

Cirkut

Producer of the Year, Non-Classical

Kehlani

Kehlani: Getty images

Best R&B Song: “Folded”

Best R&B Performance: “Folded”

Leon Thomas

Best R&B Album: Mutt

Best Traditional R&B Performance: “Vibes Don’t Lie”

Jelly Roll

Best Contemporary Country Album: Beautifully Broken

Best Contemporary Christian Music Performance/Song: Brandon Lake & Jelly Roll: “Hard Fought Hallelujah”

Best Country Duo/Group Performance: Shaboozey & Jelly Roll: “Amen”

Olivia Dean

Best New Artist

Lola Young

Best Pop Solo Performance: “Messy”

Durand Bernarr

Best Progressive R&B Album: Bloom

Amy Allen

Songwriter of the Year, Non-Classical

Justin Gray

Best Immersive Audio Album: Immersed

Pino Palladino & Blake Mills

Best Engineered Album, Non-Classical: That Wasn’t a Dream

The Cure

Best Alternative Music Album: Songs of a Lost World

Best Alternative Music Performance: “Alone”

Turnstile

Best Rock Album: Never Enough

Best Metal Performance: “Birds”

Yungblud, Nuno Bettencourt & Frank Bello Featuring Adam Wakeman & II

Yungblud: Getty images

Best Rock Performance: Changes (Live From Villa Park / Back to the Beginning)”

Nine Inch Nails

Best Rock Song: “As Alive as You Need Me to Be”

John Williams

Best Music Film: Music by John Williams

Doechii

Best Music Video: “Anxiety”

Huntr/x

Best Song Written for Visual Media: “Golden”

Austin Wintory

Best Score Soundtrack for Video Games and Other Interactive Media: Sword of the Sea

Ludwig Göransson

Best Score Soundtrack for Visual Media (Includes Film and Television): Sinners

Various Artists

Best Compilation Soundtrack for Visual Media: Sinners

Best Regional Roots Music Album: A Tribute to the King of Zydeco

Gloria Estefan

Best Tropical Latin Album: Raíces

Carín León

Best Música Mexicana Album (Including Tejano): Palabra de To’s (Seca)

Ca7riel & Paco Amoroso

Best Latin Rock or Alternative Album: Papota

Natalia Lafourcade

Best Latin Pop Album: Cancionera

FKA twigs

Best Dance/Electronic Album: Eusexua

Tame Impala

Best Dance/Electronic Recording: “End of Summer”

Cynthia Erivo & Ariana Grande

Best Pop/Duo Group Performance: “Defying Gravity”

Gabriela Ortiz

Best Contemporary Classical Composition: Ortiz: Dzonot

Los Angeles Philharmonic, Gustavo Dudamel & Alisa Weilerstein

Best Classical Compendium: Gabriela Ortiz: Yanga

Amanda Forsythe, Robert Mealy, Paul O’Dette & Stephen Stubbs

Best Classical Solo Vocal Album: Telemann: Ino – Opera Arias for Soprano

Yo-Yo Ma & Andris Nelsons

Best Classical Instrumental Solo: Shostakovich: The Cello Concertos

Dalai Lama

Best Audio Book, Narration, and Storytelling Recording: Meditations: The Reflections of His Holiness the Dalai Lama

Nate Bargatze

Best Comedy Album: Your Friend, Nate Bargatze

Fyütch & Aura V

Best Children’s Music Album: Harmony

Arkai

Best Contemporary Instrumental Album: Brightside

Alan Pierson & Alarm Will Sound

Best Chamber Music/Small Ensemble Performance: “Donnacha Dennehy: Land of Winter”

Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton & J’Nai Bridges

Best Opera Recording: “Jake Heggie: Intelligence”

Andris Nelsons & Boston Symphony Orchestra

Best Orchestral Performance: “Messiaen: Turangalîla-Symphonie”

Nate Smith & Säje

Best Arrangement, Instruments and Vocals: “Big Fish”

The 8-Bit Big Band

Best Arrangement, Instrumental or A Cappella: “Super Mario Praise Break”

Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz

Best Instrumental Composition: “First Snow”

Elaine Martone

Producer of the Year, Classical

Sandbox Percussion

Best Engineered Album, Classical: Cerrone: Don’t Look Down

Samara Joy

Best Jazz Vocal Album: Portrait

Carla Patullo

Best New Age, Ambient, or Chant Album: Nomadica

Keznamdi

Best Reggae Album: Blxxd & Fyah

Caetano Veloso & Maria Bethânia

Best Global Music Album: Caetano e Bethânia Ao Vivo

Tyla

Best African Music Performance: “Push 2 Start”

Laufey

Best Traditional Pop Vocal Album: A Matter of Time

Nate Smith

Nate Smith: Getty images

Best Alternative Jazz Album: Live-Action

Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro

Best Latin Jazz Album: A Tribute to Benny Moré and Nat King Cole

Christian McBride

Best Large Jazz Ensemble Album: Without Further Ado, Vol 1

Sullivan Fortner

Best Jazz Instrumental Album: Southern Nights

Chick Corea, Christian McBride & Brian Blade

Best Jazz Performance: “Windows (Live)”

The Brooklyn Tabernacle Choir

Best Roots Gospel Album: I Will Not Be Moved (Live)

Israel & New Breed

Best Contemporary Christian Music Album: Coritos, Vol. 1

Darrel Walls & PJ Morton

Best Gospel Album: Heart of Mine

Cece Winans & Shirley Caesar

Best Gospel Performance/Song: “Come Jesus Come”

I’m With Her

Best Folk Album: Wild and Clear and Blue

Best Americana Roots Song: “Ancient Light”

Billy Strings

Best Bluegrass Album: Highway Prayers

Jon Batiste

Best Americana Album: Big Money

Mavis Staples

Best Americana Performance: “Godspeed”

Best American Roots Performance: “Beautiful Strangers”

Joni Mitchell

Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

Miles Davis

Best Album Notes: Miles ’55: The Prestige Recordings

Tyler, the Creator

Best Album Cover: Chromakopia

Bruce Springsteen

Best Recording Package: Tracks II: The Lost Albums

Robert Randolph

Best Recording Package: Preacher Kids

Buddy Guy

Best Traditional Blues Album: Ain’t Done With the Blues

Zach Top

Best Traditional Country Album: Ain’t in It for My Health

Tyler Childers

Best Country Song: “Bitin’ List”

Chris Stapleton

Best Country Solo Performance: “Bad as I Used to Be”

Skillz

Best Spoken Word Poetry Album: Words for Days, Vol. 1

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Beyoncé and Blue Ivy Surprise Fans at Jay-Z’s 30th Anniversary Concert

Published

2 days ago

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11 July 2026

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Photo: Getty images
For an artist whose catalogue has shaped three decades of hip-hop, a milestone concert was always going to carry a sense of nostalgia. Yet when Jay-Z opened his anniversary concert series at New York’s Yankee Stadium on Friday night, it was the unexpected appearances from Beyoncé and Blue Ivy Carter that transformed the celebration into one of the weekend’s defining entertainment moments.

Photo: Instagram

The performance celebrated the enduring legacy of Reasonable Doubt, the landmark 1996 album that launched Jay-Z’s career, while revisiting the catalogue that has defined three decades of hip-hop. Before an audience of approximately 45,000 fans, the rapper delivered a performance designed to honour the music rather than overwhelm it with spectacle. The production went with a minimalist aesthetic, placing the focus squarely on the songs that built one of hip-hop’s most influential catalogues.

Photo: Instagram

The evening’s first major surprise arrived during “Can’t Knock the Hustle.” Originally recorded with Mary J. Blige, the classic took on new life as Beyoncé made her entrance in a tailored pinstripe look paired with capri pants as she performed the featured vocals on “Can’t Knock the Hustle,”  the singer delivered her verse before Jay-Z responded with a smile and an appreciative, “Oh, she can sing.” and she told the crowd, “Give it up for my baby,” prompting a smile from Jay-Z.

Photo: Instagram

If Beyoncé’s appearance celebrated one of music’s most enduring creative partnerships, Blue Ivy’s performance showed another chapter in the Carter family’s evolving story.
The 14-year-old joined her father during “Feelin’ It,” performing the song’s piano solo with growing assurance before receiving an emotional embrace from Jay-Z, who praised his daughter on stage. It was a brief moment, but one that resonated deeply with fans who have watched Blue Ivy steadily become more comfortable in front of live audiences.

Her appearance also continued a journey that has unfolded over the past several years. Blue Ivy first captured global attention as a performer during Beyoncé’s Renaissance World Tour before taking on a larger role throughout the Cowboy Carter Tour, where her confidence and stage presence earned praise from fans and critics alike. Jay-Z has previously revealed that his eldest daughter possesses perfect pitch, teaches herself piano by ear and prefers learning independently rather than taking formal lessons.

Photo: Getty Images

While the family’s appearances became defining moments of the evening, the concert itself showed Jay-Z’s philosophy that the music should remain the focus. Rather than relying on elaborate staging, the production featured a clean, simple set built around a massive screen displaying imagery from different stages of his career.

Strong demand for tickets prompted the addition of a third Yankee Stadium show, highlighting the continued appeal of Jay-Z’s live performances. with overwhelming demand prompting the addition of a third Yankee Stadium show. By the end of the night, the anniversary concert had become more than a celebration of Jay-Z’s musical legacy. With Beyoncé lending her unmistakable vocals and Blue Ivy continuing her evolution as a performer, the evening offered a rare glimpse of a family sharing not just the spotlight, but a legacy that continues to evolve across generations.

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Justin Bieber Set to Perform at FIFA World Cup 2026 Final Halftime Show

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3 days ago

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9 July 2026

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Photo: Getty images

Justin Bieber has been confirmed as a headline performer for the first-ever halftime show in FIFA World Cup Final history.

FIFA announced the addition of the Canadian pop star on July 8. Bieber will take the stage on July 19 at New York New Jersey Stadium during the FIFA World Cup 2026 Final, joining an international lineup that includes Madonna, Shakira, and BTS.

Photo: Getty images

The halftime show marks a historic shift for the tournament. Burna Boy, conductor Gustavo Dudamel, and the PS22 Chorus with Coldplay are also set to perform. The production is being developed by Global Citizen in partnership with Live Nation and Done + Dusted, with Coldplay’s Chris Martin serving as curator.

FIFA said the event will focus on entertainment and impact. Proceeds from the event will contribute to the FIFA Global Citizen Education Fund, a program dedicated to education and youth football initiatives for children worldwide. More than half of the campaign’s USD 100 million target has already been collected. FIFA said $1 from each ticket sold for World Cup 2026 matches will go to the fund.

FIFA President Gianni Infantino called education “one of the world’s most important priorities” and said the halftime performance will be used to promote unity and social opportunity on a global stage.

Bieber also underscored the charitable mission. He noted his gratitude to be part of a project focused on educational access for children.

Photo: Getty images

The program will further emphasize youth and learning through appearances by characters from “Sesame Street” and “The Muppets.” Their inclusion aligns with the broader goals of FIFA’s Unite for Education campaign which seeks to leverage the tournament’s reach to advance youth empowerment and community development.

With artists spanning multiple genres, generations, and regions, the FIFA World Cup 2026 Final Halftime Show is positioned to be among the most ambitious entertainment productions in the tournament’s history, pairing sport with music and philanthropy before a global audience.

Read Next Post: Lamar Odom Explains His Comments About Marrying Khloé Kardashian for Fame

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Lamar Odom Explains His Comments About Marrying Khloé Kardashian for Fame

Published

3 days ago

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9 July 2026

By

Photo: Instagram

Lamar Odom is responding to backlash over comments featured in his Netflix documentary “Untold: The Death & Life of Lamar Odom,” after ex-wife Khloé Kardashian publicly disputed the suggestion that fame influenced his decision to marry her.

The controversy resurfaced following the film’s release in March. In the documentary, Odom reflected on his relationship with Kardashian and spoke about being drawn to the lifestyle surrounding the Kardashian family. His longtime friend Anthony “Pumpkin” Booker also recalled an alleged comment from Odom on his wedding day about the family’s influence and connections potentially benefiting his future.

Photo: Getty images 

Kardashian, who took part in the project without compensation, addressed the film in April on her podcast “Khloé in Wonder Land.”

Kardashian criticized suggestions that Odom married her for fame and said she regretted participating in the documentary.

Months later, Odom pushed back on that interpretation during an appearance on “Nothing’s Off the Table with Louis Ruggiero.” Addressing the controversy directly, Odom said he never claimed to have married Kardashian for clout. According to him, that interpretation stemmed from remarks made by other people interviewed for the project.

According to Odom, he entered the relationship as an established public figure and did not require additional exposure. He said his decision to marry was based on genuine affection, not ambition. While acknowledging the intense media attention around their union, he described the relationship as one that developed quickly and naturally, and became one of the era’s most discussed celebrity pairings.

 

The exchange has renewed tension between the former couple. Speaking on her podcast, Kardashian said she does not plan to participate in any future projects related to Odom. She also criticized comments she believes downplayed the role she played in supporting him after his near-fatal overdose in 2015.

Their relationship began in 2009 and ended with a finalized divorce in 2016. It remains a point of public interest in part because of its visibility, and in part because of the contrast between private struggle and public narrative.

Photo: Instagram

Today, their accounts diverge. Odom maintains his words and intentions have been misrepresented. According to Kardashian, the documentary and the interviews that followed brought back issues she believed had long been resolved.

The dispute illustrates a familiar challenge in documenting high-profile relationships: when memory, media framing, and personal perspective intersect, a single story rarely satisfies all involved. As both continue to speak publicly, the conversation underscores how the legacy of a relationship can remain contested long after it ends.

Read Next Post: Zendaya’s Latest ‘The Odyssey’ Look Is All About Louis Vuitton Couture

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