Fashion
Saint Laurent Spring/Summer 2026: Sharp Tailoring Meets Sheer Sensuality
Saint Laurent presented its Spring/Summer 2026 collection in Paris with a focus on precise cuts, structured shapes, and lightweight materials. Creative director Anthony Vaccarello opened the show with designs that carried the brand’s established style codes.
The show opened with a set of dark-toned looks in shades of brown and black, combining leather pieces with structured jackets and crisp shirting. Models walked out in fitted skirts paired with jackets that carried exaggerated shoulders and boxy cuts. Some were styled with white shirts tied at the neck, while others came in zipped high style. Dark sunglasses were seen in some of the looks.

Photo:@Fasionweek-Instagram
Later on, the presentation shifted toward sheerness. Models appeared in translucent blouses and floor-length skirts that revealed lingerie underneath. Black remained dominant throughout, with occasional injections of white and neutrals.
One of the standout looks included a see-through chiffon top, styled under an oversized blazer with sharp lapels. Another highlighted a strapless dress constructed from sheer black fabric, cut to graze the ankles and paired with leather opera gloves.

Photo:@Fasionweek-Instagram
Leather were mostly seen on the runway too: skirts and belted jackets all in glossy leather. Knee-high boots were often layered under skirts or styled with thigh-high slits, highlighting the elongated shape that has become one of Vaccarello’s signatures.

Photo:@Fashionweek-Instagram
Flowy gowns were given architectural shoulders or sculptural draping, often finished in sheer silk. A notable piece was a halter dress cut in a liquid-like metallic fabric, nodding to Saint Laurent’s tradition of glamour while still aligning with Vaccarello’s stripped-down approach.

Photo:@Fashionweek-Instagram
Accessories stayed minimal but noticeable. Wide leather belts gave shape to jackets and dresses, emphasizing the hourglass figure. Oversized sunglasses and slim clutches complemented the dark, refined mood.

photo:@Fashionweek-Instagram
The collection emphasized its contrasts, pairing structure with light fabrics, the designs were distinctly Saint Laurent yet varied across the lineup. For Spring/Summer 2026, Vaccarello presented a clear take on the brand’s core identity.
Fashion
Zendaya and On Introduce First Co-Created Footwear and Apparel Collection
Zendaya has teamed up again with On, introducing a new chapter in their partnership. The team unveiled their first co-created collection that includes both footwear and apparel. This project marks a shift from earlier collaborations, with Zendaya involved in the design process.
Last year, the actress worked with On, in the release of the Cloudzone Moon sneaker, with support from her longtime stylist, Law Roach. The collaboration focused on footwear design and campaign visuals.

Photo: On
But this recent release introduced a new silhouette, the Cloudnova Moon, alongside a matching clothing line. This collection focuses on combining technical sportswear elements with everyday styling, using clean silhouettes, different textures, and muted color choices.

Photo: On
In a press statement, the actress shared, “It’s been so much fun to collaborate with Law and the On team on these essentials, we wanted to create pieces that feel versatile and easy to wear, styles that move with you across different moments. We started with the idea of making people feel confident and effortless, and we built everything out from there. Working with Spike Jonze brought that vision to life in a really special way, the world he created gave it a whole new dimension.”

Photo: On
The campaign is supported by a short film by Academy Award-winning director Spike Jonze, highlighting the creative process behind the collaboration. Titled Shape of Dreams, the film presents Zendaya’s imagined design space, “The Dream Lab” where ideas evolve into final products through a staged visual progression. It was shot by photographer Sean Thomas.
The collection will be available in four colorways: Wolf Alloy, Dew Spruce, Fig, and Black Ink, set to be released on April 16, 2026, through On and selected retailers, both in-store and online.
Celebrity Style
Nicole Kidman Reworks Naked Dressing in Schiaparelli
Fashion
Miranda Meets Her Muse: Meryl Streep and Anna Wintour Share a Vogue Cover
Anna Wintour Condé Nast’s Chief Content Officer and Global Editorial Director of Vogue, appeared on the magazine’s cover, alongside Meryl Streep who played a magazine editor in “The Devil Wears Prada,” ahead of the sequel, The Devil Wears Prada 2, expected in May 1 2026.
The theme of the magazine’s latest issue is to bring together the editor and the actress known for playing her role on screen. The shoot was styled by Grace Coddington. Wintour wore a red Prada maxi dress, paired with Manolo Blahnik heels, S.J. Phillips necklaces, and Chanel sunglasses.

Photo: Vogue
While Meryl Streep appeared in a black Prada suit, finished with dark sunglasses. Both women wore sunglasses in the images. The cover was photographed by Annie Leibovitz.
Greta Gerwig spoke with Meryl Streep and Anna Wintour about the upcoming sequel, the future of fashion, and life in their seventies. Wintour said “It is such an honor to be played by Meryl who wouldn’t consider that an extraordinary gift?”

Photo: Vogue
Streep and Wintour are not interested in trading places in real life. Wintour dismissed the idea of acting, noting she has no skills for it and would struggle with tasks such as singing, dancing, or cooking. Streep, on the other hand, said she would not want to take on the responsibilities of running a large organization like Vogue, including managing its operations and editorial responsibilities.
Streep’s character, Miranda Priestly, the editor-in-chief of the fictional magazine Runway, was inspired by Wintour. The 2006 film was based on the 2003 novel by Lauren Weisberger.

Photo: Vogue
The feature arrives at a time when interest in “The Devil Wears Prada” has increased following news of the sequel. Streep’s role in the film remains one of the most referenced portrayals of a fashion editor in popular culture.
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