In the new Spider-Man movie, Peter Parker undergoes a major shift, he’s now producing webs organically and, straight from his own body, which is different from the way he used special devices to shoot webs.

The new trailer for “Spider-Man: Brand New Day” shows Peter waking up in a web. This development represents a change in Peter Parker’s abilities. He appears to generate webs from his body rather than relying on devices. This suggests Peter’s powers are evolving, with hints he may struggle to control them.

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The trailer also shows that Peter is getting some help from Bruce Banner. Peter appears to encounter new adversaries. In one striking moment, his eyes briefly turn black which hints at the possibility of a darker transformation.

This change emphasizes his more spider-like abilities. It also represents a departure from previous live-action portrayals. The trailer depicts his webs forming organically, rather than mechanically.

The trailer emphasizes the emotional weight of Peter’s isolation, showing how the loss of MJ’s memory has left him navigating heroism and heartbreak alone. It leaves him isolated and introduces tension in the narrative.

Some viewers may notice a departure from mechanical web-shooters that have long been a hallmark of Peter Parker’s character. The trailer frames this change as part of Peter’s growth, portraying it as a step toward becoming a more powerful and mature hero.

The trailer suggests this Spider-Man differs from previous portrayals.

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Lily Collins has been cast to portray Audrey Hepburn in an upcoming film about the making of Breakfast at Tiffany’s.

The project will not revisit the original storyline. Instead, it focuses on the creative process behind the 1961 classic, drawing from Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany’s and the Dawn of the Modern Woman by Sam Wasson. The book examines how the film moved from concept to being widely recognised, including casting discussions, studio pressures, and the evolving identity of its central character.

Photo: Instagram

Collins will also serve as a producer through her company Case Study Films, serving as both lead actor and producer in a project that has reportedly been in development for several years. The casting continues her steady presence in global entertainment following the success of Emily in Paris.

The film will explore the collaboration and working relationships between key figures involved in the original production. Among those expected to appear as characters are writer Truman Capote, director Blake Edwards, and costume designer Edith Head, whose work shaped the film’s costume direction.

Photo: Getty Images

While a director has not yet been announced, the screenplay is being developed as a character-driven retelling of how Breakfast at Tiffany’s came together during a shifting era in Hollywood.

Collins’s resemblance to Hepburn has already has drawn early audience reactions online, with early reactions focusing on the physical parallels and her background in character-led roles. Industry coverage has positioned the project within the ongoing trend of biographical storytelling that explores the making of influential films rather than retelling familiar plots.

No release date or additional casting has been announced.

London Fashion Week opened on February 19, 2026, and is scheduled to run through February 23. King Charles III made a surprise appearance at the British-Nigerian designer Tolu Coker’s runway autumn/winter show at 180 Studios, marking the first time since 2018 that a senior royal has sat in the front row at London Fashion Week.

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The King was seated in the front row next to fashion designer Stella McCartney and Laura Weir, CEO of the British Fashion Council. He wore a gray suit with a single-breasted jacket layered over a long white shirt, paired with matching trousers with folded hems. He completed the look with a patterned bronze tie and black shoes.

Tolu Coker launched her label in 2018 after graduating from Central Saint Martins. She is known for her unisex silhouettes that are rooted in modern storytelling. Coker was recently named a finalist for the LVMH Prize for Young Fashion Designers.

Photo: Getty images

Coker is also a former beneficiary of The King’s Trust, founded by King Charles III, which provided mentorship and support when she started her brand. For her autumn/winter 2026 collection, she took inspiration from her upbringing on the Mozart Council Estate in West London.

The King’s appearance at the show came hours after he addressed his concerns over his brother Andrew’s arrest, emphasizing that “the law must take its course.”

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His attendance reinforced the designer’s rising influence and highlighted London Fashion Week as a platform for displaying diverse talent.