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Cynthia Erivo Wraps Up Wicked: For Good Tour in Custom Balenciaga

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With the Wicked press tour coming to an end, Cynthia Erivo showed up to the final premiere at Lincoln Center in New York City on Monday November 17 in a custom Balenciaga gown by the house newest creative director, Pierpaolo Piccioli.

She wore a sculptural black turtleneck gown with long leather sleeves. It also had a pleated drop waist skirt that flowed behind her and a feathered detailing around the bust area. Cynthia told Harper’s Bazaar that she wanted the dress to feel like Elphaba’s take on couture. “If she were to attend a premiere, this is how she would show up,” she explained, giving a nod to her character on screen.

Cynthia Erivo: Getty images

Erivo didn’t stop at the dress. She added Balenciaga’s signature oversized butterfly mask sunglasses. She also kept her jewelry minimal with diamond studs and a bracelet that added sparkle to the dark ensemble. Her stylist, Jason Bolden wrote in an Instagram post, “She’s a real witch in Custom @balenciaga by @pppiccioli.”

Cynthia Erivo: Getty images

A few hours before the New York City premiere, Universal Pictures confirmed that Cynthia wasn’t feeling well, saying she had lost her voice, and wouldn’t be doing the usual interviews that evening. Joining her and Ariana Grande were director Jon M. Chu, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, and more.

Earlier this month at the Paris premiere photocall, she and her Wicked castmates found out they’d been nominated for Best Pop Duo/Group Performance at the 2026 Grammy Awards. Erivo also earned a solo nomination for Best Arrangement, Instrumental or Acapella for her song “Be Okay” from her album I Forgive You.

“It was really wonderful. We had no idea it was even possible, to be honest, so to get the nomination and to hear about it alongside our incredible cast and filmmakers was just the cherry on top of an already beautiful moment,” Erivo said.

Cynthia Erivo: Getty images

With the movie hitting theaters this Friday, and seeing the cast together on the red carpet,  makes it clear that this whole journey is finally coming to an end.

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Celebrity Style

Nicole Kidman Reworks Naked Dressing in Schiaparelli

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Photo: Getty images

Nicole Kidman attended the premiere of Margot’s Got Money Troubles in New York City wearing Schiaparelli’s Fall 2026 collection.

The outfit was a two-piece consisting of a zip-up top and a pencil skirt. Both pieces featured white fish-scale embellishment running down the front with sheer panels balanced by structured sections.

Photo: Getty Images

She paired the look with black strappy sandals by Gianvito Rossi and an Ortega watch. Compared to the runway version, the skirt was worn higher on the waist, and the belt seen on the original design was removed.

Schiaparelli

Hair was styled by Adir Abergel in a structured updo with loose lengths and feathered bangs. Makeup was done by Mary Wiles, featuring a neutral base and with brown smoky eyes.

Her recent red carpet appearances follow a similar direction. In 2026, she wore a nude-toned illusion gown by Gucci at the A Family Affair premiere, and a sheer floral appliqué look by Dolce & Gabbana at the Spellbound premiere, both using sheer and structured elements.

Photo: Getty Images

Kidman is credited as an executive producer on the series, which is set for release on April 15, 2026.

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Meryl Streep and Anne Hathaway Return to Their Signature Styling in Tokyo

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Photo: Getty Images
The global rollout of The Devil Wears Prada 2 made its Tokyo stop this week, with fashion central to its presentation to audiences. The appearance of Anne Hathaway and Meryl Streep marked one of the key moments of the press tour so far, with both actors presenting looks that referenced the original film while aligning with current runway direction.

Tokyo’s inclusion in the press circuit marks Tokyo as an important stop on the press tour, with attention focused on the wardrobe choices.

Photo:Getty Images

Anne Hathaway’s appearance was hard to miss for its connection to her character, Andy Sachs. She wore a strapless couture gown from Valentino’s Spring 2026 collection, featuring a structured black-and-white base with a defined bustier and a voluminous ruffled skirt. A red fold-over detail ran across the bodice, adding contrast to the monochrome foundation.

Her styling referenced Andy Sachs through the return of a fringe, updated with softer, face-framing layers. This follows the press tour’s styling approach of connecting the character to current collections without replicating past looks directly.

Photo: Getty Images

Meryl Streep’s wardrobe took a similar approach, drawing from the authority of Miranda Priestly while incorporating current collections. She appeared in a look from Chanel’s Métiers d’Art Pre-Fall 2026 collection designed by Matthieu Blazy. The outfit centred on a vermillion coat and coordinating midi skirt marked by white splotch patterns and finished with black fringe detailing.

Accessories included white slingback heels with black toe caps, a quilted black clutch, and oversized square sunglasses, maintaining what we already  know from her character while showing the current collection.

The Tokyo stop continues the styling direction established across the press tour. Rather than isolating individual outfits, the focus stays on how each appearance shows the same approach to character and collection, carried consistently from one city to the next.

Each appearance supports a consistent visual styling. Anne Hathaway’s looks revisit Andy Sachs through updated styling details, while Meryl Streep’s wardrobe remains rooted in Miranda Priestly’s established identity, presented through current collections and clean fits.

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Kate Middleton Marks Easter With a Reworn Favorite

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Kate Middleton returned for the annual Easter Matins Service at St. George’s Chapel in Windsor Castle on April 5, after being absent from the service in previous years due to health reasons. The Princess of Wales, her husband Prince William and their three children, joined the king and queen for the traditional celebration.

For the occasion, Kate wore a cream dress she had previously worn in 2022 for a royal engagement with Princess Anne. The Self-Portrait dress featured a blazer-cut bodice, defined by long sleeves, a belted waist and a midi skirt. Lace appliqués were designed across the top as well as side-flap pockets.

Photo: Getty Images

She continued the monochrome moment with a fascinator designed with floral motifs. Kate wore Bahrain pearl drop earrings crafted from rare pearls that had been gifted to Queen Elizabeth II by the Hakim of Bahrain during her 1947 wedding.

Photo: Getty Images

She completed the look with Ralph Lauren gold calfskin pumps, adding a warm contrast to the cream palette, and carried a small toffee-colored bag by London-based designer DeMellier. Walking alongside her daughter, Princess Charlotte who wore a chocolate brown coat layered over a blue dress, a quiet nod to her mother’s long-favored Easter color, even as Kate Middleton departed from her signature shades this year.

Photo: Getty Images

This year marks the sixth time she has attended Easter Sunday celebration in the Windsor, and most of the times, Kate has favored the shade of blue. During the family’s last appearance in 2023, she wore a royal blue Catherine Walker & Co. coat dress, with a matching hat and clutch. She was absent in 2024 and 2025 while undergoing cancer treatment.

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