“Cardi B has officially shared some life-changing news: she is pregnant with her fourth child, her first with New England Patriots wide receiver Stefon Diggs. The rapper revealed the news during an interview with Gayle King on CBS Mornings, ending weeks of whispers with a clear confirmation.

The Bronx-born star already has three children (Kulture, Wave and Blossom) with her estranged husband Offset. She admitted she had chosen to hold off on announcing this pregnancy until she felt ready. “I wanted to close some deals first and make sure the baby was healthy before I told the world,” she explained, adding that seeing reassuring sonograms gave her confidence.

Cardi B- Instagram

With an arena tour kicking off in February 2026, Cardi confirmed the baby is due before she takes the stage. “I feel happy, I feel strong,” she said, describing how Diggs has supported her throughout. She also shared that the NFL star gives her a sense of security both mentally and physically, something she values deeply.

In a typically candid moment, the 31 Year-old admitted her parents had not yet been told the news. “They’ll know before the interview airs,” she laughed, hinting at the balance she strikes between family life and her career.

Cardi B- Instagram

Cardi spoke warmly about her relationship with Diggs, describing him as someone who makes her feel grounded at a time when her life is constantly under the spotlight.

As she prepares for both motherhood once again and a major tour, Cardi B is proving she can control her narrative on her own schedule. For fans, the countdown is now twofold: to the start of her 2026 shows, and the arrival of her newest baby.

Robert Redford, a five time Golden Globe Awards winner died at the age of 89. His family confirmed that he passed away peacefully at his home in Sundance, on Tuesday 16 September.

Redford was an actor, director, producer, and a champion of independent film. He became popular in the 1960s with roles in “Inside Daisy Clover” and “Barefoot in the Park”. He also starred in classics like “Butch Cassidy” and the “Sundance Kid”, “The Sting”, “All the President’s Men”, and “Out of Africa”.

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As a director, he won the Academy Award for Best Director for Ordinary People in 1980. The movie also won Best Picture.

Aside acting and directing, Redford founded the Sundance Institute and the Sundance Film Festival. During his tenure, Sundance became an important platform for filmmakers outside the mainstream.

In August 2018, Robert announced that he would be retiring after making The Old Man & the Gun, inwhich he co-starred alongside Glover Danny, Casey Affleck, Waits Tom and Sissy Spacek. “Never say never, but I pretty well concluded that this would be it for me in terms of acting, and I’ll move towards retirement after this ’cause I’ve been doing it since I was 21,” he said at that time.

After a while, he was spotted back on set,

He said “I think it was a mistake to say that I was retiring because you never know. It did feel like it was time, maybe, to concentrate on another category.”

The legend was back on screen few months ago after 6 years. His last screen role was a cameo in 2025 on Dark Winds.

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His personal life had ups and downs. He was married twice and had children. One of his children died in 2020, James Redford. He died at age 58 from bile-duct cancer in his liver.

Redford is survived by his wife, children, and grandchildren, who continue to be involved in the Sundance organizations and philanthropic efforts he built. He will be remembered not only as an actor and director but also in the institutions he built.

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After the announcement of his death, family and loved ones across the film industry are paying their respects. Actress Meryl Streep said “One of the lions has passed.” Jane Fonda described him as “a beautiful person in every way” and praised his belief in an America worth fighting for. Journalist Bob Woodward, whose reporting inspired All the President’s Men, called him “a noble and principled force for good.” Actor Mark Ruffalo shared that Redford was his hero and thanked him for his generosity as a mentor.

The legacy of Robert Redford will never be forgotten.

The 77th Primetime Emmy Awards brought a mix of triumphs, surprises, and heartfelt firsts to Los Angeles’s Peacock Theater on Sunday night. The evening was alive with energy as television’s biggest names gathered, but the stories that unfolded went far beyond the glitter of the stage.

Jean Smart- Getty images

Apple TV+’s The Studio emerged as the highlight of the night, leading the comedy categories in a way few shows have ever done. In its debut season, it collected an astonishing thirteen trophies, setting a new record for the most Emmy wins by a comedy in a single year. Seth Rogen led the charge with victories as lead actor, writer, and director, sealing his status not only as the face of the series but as the creative force behind it. For longtime Emmy favorite Jean Smart, the night added another chapter to her remarkable run as she took home her fourth award for Hacks, while co-star Hannah Einbinder earned her first. Jeff Hiller’s win for Somebody Somewhere added a note of surprise, proving the comedy field is still full of unpredictability.

Noah Wyle- Getty images

In the drama categories, The Pitt claimed the biggest prize of the night by taking home outstanding drama series. Its victory was an upset over front- runners like Severance and The White Lotus, signaling that television audiences and critics are still open to being swayed by the intimacy of a well-executed medical drama. Noah Wyle, whose career spans decades, finally received his first Emmy with a win for lead actor in a drama. His acceptance speech reflected the relief of a veteran who had long been respected but never rewarded in this way. Katherine LaNasa added to the momentum by capturing supporting actress in a drama, a result that surprised many given the stiff competition. Though Severance entered the night with the most nominations, it left with only a handful of acting awards for Britt Lower and Tramell Tillman, showing that anticipation does not always translate into dominance.

Owen Cooper-Getty images

Another standout of the evening was Netflix’s Adolescence, which pushed the boundaries of what a limited series could be. Every episode was filmed in a single continuous take, a daring choice that was rewarded with six Emmys, including outstanding limited series. Stephen Graham and Erin Doherty collected acting awards for their performances, but the night truly belonged to Owen Cooper, who at just fifteen years old became the youngest male Emmy winner in history. His emotional reaction on stage was one of the defining moments of the ceremony, a reminder of how quickly the industry can be reshaped by new talent. Cristin Milioti’s win for The Penguin further highlighted the strength of anthology storytelling, giving the limited series category a particularly strong showing this year.

Stephen Colbert for “The Late Show” – Getty images

Beyond scripted television, the awards honored other corners of the industry that continue to thrive. The Traitors took home reality competition, while Last Week Tonight with John Oliver and The Late Show with Stephen Colbert dominated their respective variety and talk categories. These consistent winners showed that while new dramas and comedies may come and go, some formats continue to hold their ground year after year.

Seth Rogen- Getty Images

The night will be remembered less for predictable victories and more for the moments that carried real weight. Owen Cooper making history at fifteen, Noah Wyle finally hearing his name called after decades of work, and The Studio rewriting comedy’s record books gave the ceremony its pulse. Unexpected wins from performers like Katherine LaNasa and Jeff Hiller only added to the sense that the Emmys are never fully scripted, no matter how many odds-makers try to predict them.

In the end, the 2025 Emmys told a story about where television stands today. Bold experiments are being rewarded, young performers are stepping into the spotlight, and veteran actors are receiving long-overdue recognition. It was a night that reminded audiences why television remains one of the most dynamic storytelling mediums—and why, even after seventy-seven years, the Emmys can still surprise us.